I don’t know if I’ll ever feel that way again,” she says with a laugh. “Early on in my life, I would always fall so deep in love and just be like, ‘This is it,’ and that’s so beautiful. “I’m definitely capable of it, but I have to feel confident in it and trusting of it.” For her, it’s “scary.” “At this point in my life, it’s harder for me to let somebody in all the way,” she says. Her perspective on it, though, has changed. At the moment, she’s keeping busy writing the script when she’s not focusing on her clothing line, Abbey Dawn, or her album release.ĭespite the title of Lavigne’s forthcoming record, she hasn’t given up hope for love just yet. In December, the singer revealed she would be adapting “Sk8er Boi” into a film, some good news for fans just ahead of the album’s 20th anniversary this June. “This is the music that, as I was finding myself, really moved me,” says Lavigne, “and helped shape and influence who I am today.” The past has been on Lavigne’s mind for other reasons too. “We’re seeing the resurgence of alternative music and pop-punk music right now, and she’s the queen of that,” says Smith. I need to just take care of myself.’” She found the journey of reflecting on love and failed relationships “emotional” but “way lighter.” “I was like, ‘I need a break from relationships with men. “I had come to this place where I was also going through a breakup or two again and was feeling exhausted and over it,” she says. When it came to the subject matter, Lavigne was ready to focus on something a little different than her last LP: love. “My shows are so fun for me, and the audience is always going wild.” “When I made this record, I really was thinking about playing the songs live and about the people that come to my shows,” she says.
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With her free time, she came to realize how much she loved playing live shows and how integral that “energy” was for her sound.
“We would write a song in a day, have it recorded, and by the time I was walking out, it was done.” The tracks on “Love Sux” also pair pop-punk stalwarts and the genre’s new generation as Lavigne collaborates with Blink-182’s Barker and Mark Hoppus, as well as Kelly and singer-songwriter Blackbear.įor Lavigne, the decision for the tonal shift of “Love Sux” surfaced when one of her tours tied to “Head Above Water” was canceled because of the pandemic. “I felt like I was hanging out with people that I would have gone to high school with,” she says. “I root for girls like Billie, Willow and Olivia,” she says, “and I love knowing that they’ve got bright futures ahead.” There were parts of that scene Lavigne evaded - like Warped Tour, for instance - because her debut record exploded during that time and, she says, “it superseded any real opportunity to be a part of that world, despite my music fitting into it.” But she’s happy to see things are more balanced now. But nearly 20 years ago, Lavigne was its queen, and her presence was affirming for young women who were part of a community heavily dominated by white men. It’s no secret that throughout the past two years, pop-punk - the genre that melds angsty riffs, sticky pop melodies and distorted guitar chords pioneered by 1970s acts like the Ramones and Buzzcocks - has experienced a revival with artists like Olivia Rodrigo, Machine Gun Kelly and Willow. Nearly 20 years since the release of her debut album, “Let Go,” she’s going full-throttle back to her roots with her seventh studio album, “Love Sux,” set for release Friday. She may have traded the skate park for sipping coffee and getting a tan at her home in Malibu, but Lavigne - tattoos and all - is just as rebellious as she ever was. “I think I was 18.” Now, it’s become a half-sleeve tied together with roses. “My first tattoo was the ‘Sk8er Boi’ star,” she recalls, flaunting her wrist ink. Now 37, Lavigne’s once bare arms are covered in roughly 30 tattoos (she’s lost count). Look a little more closely, though, and you’ll see that her reality is a lot different these days. Still rocking her signature smoky eyeliner and blond highlights - currently with a hint of orange ombre - on the surface, the singer is nearly identical to the 17-year-old who crashed malls and ripped some guy’s preppy clothes off. Perched in a chair in her home Zoom studio, Avril Lavigne could easily fool you into thinking it’s 2002 again.
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